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The Situation and the Story: The Art of Personal Narrative
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A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of LoveAll narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid inteligence that has made Gornick one of our most admired writers of ninfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.
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Product details
Paperback: 192 pages
Publisher: Farrar, Straus and Giroux; 1st edition (October 11, 2002)
Language: English
ISBN-10: 0374528586
ISBN-13: 978-0374528584
Product Dimensions:
5.3 x 0.5 x 7.8 inches
Shipping Weight: 4.8 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
63 customer reviews
Amazon Best Sellers Rank:
#12,662 in Books (See Top 100 in Books)
If you are interested in the process of writing this is a good book. I am not sure I always agree with her assessments of various writers--Oscar Wilde for example--but Gornick is thoughtful and probing. She speaks with knowledge and experience on one of the most slippery facets of writing: the narrator's voice. This may be one of the very best books on the subject.
It feels disrespectful to offer anything but praise for a book that captured the distance it takes to execute memoir pieces successfully. For writers wrangling with their personal material, trying to turn it into an engaging narrative that along the way may enlighten the reader, this is the premiere text. My purpose was to know what it took and this book describes the process with convincing clarity. What I did not enjoy about the book was its format. It was organized like a text with samples of mostly obscure memoirs and personal essays that the author then critiqued for you. Without having read those works in their original form I had only a cursory interest in her description of the content of those pieces and found myself reading hurriedly to get to the part about technique.When I purchased the book I knew nothing about it and mistakenly expected a discussion of memoir writing without frills. The book was more than that. Without a doubt, I think it is filled with essential information for aspiring memoir writers. If you happen to be an instructor yourself, there are questions you may find useful at the back of the book.
I've read many books on writing, but this is one of the best I've ever read for personal essay and memoir. Gornick really gets to the heart of what we who write from personal experience need to accomplish. It will make you go back and look - again - at your writing and see where you've missed or where you've succeeded. Highly recommend it.
Gornick's obsession is persona, the truth-seeking and truth-speaking narrator and how that partial, constructed self relates to the tale being told. When you try to apply her interesting principles to some works you like, especially if they are very scenic and narrative-driven, it will drive you crazy. Ditto if you are a writer trying to do what she says you should do. But it's fascinating. And she discusses some really interesting essays and memoirs, many of them uncommon or forgotten classics.
I bought this book because Vivian Gornick is an excellent nonfiction writer. It was recommended as a good critique of the process of writing informal personal essays and memoirs. Her discussion of what makes a good personal essay was excellent. How the essay and the memoir are different forms was cogent and insightful I highly recommend this book as one of several which can educate writers on how to go about writing personal, and experiential, pieces.
I have been a student at Stanford University for the last year and one of the teachers recommended this book to me. Reading it for the first time I had the feeling that Ms Gornick wrote it just for me. It was exactly what I needed. So many books about writing just talk about the writer's experiences but this one examines the genre of memoir writing like a doctor at an autopsy. What she writes gave me so many moments where I was saying to myself, yes, that is exactly it. And sometimes she writes things that explain a situation that I had not thought about and seeing it in print gave me that rare gift of true enlightenment
There is the situation, and there is the story, and if you can figure out the basics behind that seemingly innocuous statement, then you can figure out how to be a very effective memoir writer. Only about half of this book is about memoir writing, and I got it specifically for that portion. The essay portion, while fine, did little for me. I would definitely overall recommend this book.
This book was a mandatory read for my MFA - Non Fiction program. I am very happy that it was, because I gained a great deal of insight from reading it.I recommend this book to anyone who is serious about writing quality Non Fiction.
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